The fourth edition of Tracks highlights essays on feminism, popular culture, and Milton and was edited by the Fall 2022 Advanced Editing and Publishing class: Shelby Davis, Rachael Draper, Stephanie Espinoza, Carly Evetts, Samuel Lay, Niang Lun, Alice McDonald-Pate, Makenzie Merritt, and Brinn Reeves.
Printable Version of Tracks IV
Tracks IV Contents |
|
Makenzie Merritt |
2 |
| Front Matter | 4 |
|
Jennifer Francis |
8 |
| A Supposition of Snark: Elizabeth Hands’s Crafted Defiance Madi Nation |
12 |
|
Revealing the Gendered Experience: The Complexity of Care Work Courtney Umphress |
28 |
|
Joshua Knorxel |
42 |
|
The Sorrows of Unrequited Love: A Comparative Study of Tom Denise Velarde |
46 |
|
From Audrey Hepburn to Nicolas Cage; How Language and Dialect Maegan Story |
60 |
|
The Fall of Satan (1866), Engraving for Paradise Lost. Doré, Gustave (1832-1883), |
70 |
|
“Lycidas”: Milton’s Growth in Critique Erin Lewis |
74 |
|
“The Flowing Gold of Her Loose Tresses Hid”: Titillating Exegesis in Jonah Dietz |
92 |
© Tracks: Research in the Humanities
Department of English, Philosophy and Modern Languages
West Texas A&M University